Interview with Franklin Lopez of subMedia.tv

(Cross posted from Dialectical Films, with thanks.)

As research for a panel on the subject of ‘audiences’ at the Radical Film Network‘s inaugural conference earlier this year, I spoke to a number of media organisers and radical filmmakers about their work and how they survive while doing it. This is one of two interviews I will publish, with the intention of inspiring, comforting and galvanising those making political work and no money.

Franklin Lopez is an anarchist video maker based in North America (though, as he noted early on in our conversation, he considers himself stateless) and creator of the video site subMedia.tv. He has been producing quality political videos (from feature length documentaries to collaborations with poets and mash-ups) for over a decade, all of which can be watched for free at the site, and he produces a monthly radical newsreel vlog that can be found there and on YouTube.

Franklin kindly took time to answer my questions, and thankfully gave some encouraging answers about the contact he has with his audiences, being fairly compensated for his work, and refusing to give up his political values in the name of ‘expansion’.

it's the end of the world as we know it and i feel fine, the stimulator, subMedia.tv, Franklin Lopez interview

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How did subMedia.tv and The Stimulator come about?

Well, subMedia and the stimulator are two different things. subMedia.tv is a website that published anarchist films me and my friends produce as well as other videos, and The Stimulator is the character of a web-vlog we produce called “It’s the End of the World as We Know It and I Feel Fine” or as we call it “The Fuckin Show”.

subMedia.tv was created as an independent venture, owned and funded outside of corporate media with the goal of broadcasting radical and anarchist films. The Fuckin Show was created to provide radical news and analysis on a monthly basis to an audience of radicals and anarchists, and those who are curious about radical and anarchist ideas. The Fuckin Show is supposed to be funny and provide much needed comic relief to the stuffy real of radical and anarchist discourse.

subMedia wasn’t always radical; we made political films with a liberal left sensibility, but it evolved over the years to be the rabble rousing agit prop propaganda media production house that it is today. So in 2001 while the US beat the drums of war, we felt a need to aid the anti-war movement, came into contact with anarchists and thus began this process that radicalized how and why we make films.

Are you completely independently funded?

150 per cent!

How the hell do you fund this operation?

Mostly small donations from viewers, some from DVD sales and some from screenings.

Is there one activity/source that provides the majority of your funding?

Viewers of our videos.

Do you have another job or source of income aside subMedia?

Once or twice a year I’ll do a gig, usually because it falls in my lap but not out of necessity. Last year I did one video for AJ+, the year before some TV channels bought some of our footage and films. Other people who collaborate with us have freelance gigs or are on welfare.

How many people work for and with subMedia?

Right now it’s three of us. Me on a full-time basis and two others on a part-time basis. We also have about 5 volunteers that dedicate a few hours helping us out with media production – in return, they learn video skills.

You are clearly politically radical. Do you consider your work aesthetically radical?

Sure, but I don’t think we’re breaking new ground artistically. We “steal” most of the footage and music we use, blatantly script in our politics no holds barred, use the language we fuckin want, try new things every chance we get.

Do you consider your way of organising and producing work radical?

Sure, one of the things we do that most people don’t notice is to be connected with movements, so a lot of the media that we produce is done with the hope to aid movements. For example, we take some direction from indigenous groups in so called “Canada” to create videos that will help them further their struggle.

What is your definition of ‘radical’, if you have one?

To get to the root of the matter, to not “sugar coat” or dumb down things, to tell it how it is.

Radical is antonymous to Liberal. Radical is antonymous to reformist.

Do you find any conflict between the work you do and earning money from it?

I’m not sure I understand the question. subMedia has been crowd funding since 2008, and we have never bent our politics in the hopes to generate more income. Sometimes our opinions have cost us viewers, but that’s the price you pay for being honest.

What contact do you have with your audience?

Lots. Emails, Facebook / Twitter / website comments, but my favourite is face to face during or after screenings.

Which social media do you find to be most useful in terms of creating an audience or community?

Unfortunately Facebook. We’ve had some success on Twitter, but we find more engagement on Facebook. It was a bit of struggle coming to terms with it, in terms of FB being a capitalist project with little regard to privacy, but our audience are not purists and I think most of them have fake profiles anyway.

Was there one piece of work or event that led your audience to grow, or has it been mostly gradual/organic?

The 2008 Democrat and Republican conventions. subMedia teamed up with a video collective out of Seattle called “Pepper Spray Productions”, and we cranked out 10 shows in 10 days bringing daily reports from the street protests. People at those convergences would gather to see what was accomplished and laugh a little before the following day of action. Same is true of our coverage of the G20 protests in Toronto.

Do you dedicate time specifically to building your audience, or have you let it happen organically?

We have never had the time or foresight to do a marketing plan, so things have happened organically.

Is it important to you to measure/follow this, or do you just sit back and let it grow?

I think it’s interesting to see where your audience is coming from and yes we would like to grow our audience, but not out of the desire to make more money, or just for the sake of reaching more people. We are more interested in reaching the right people, i.e. people who are most likely to engage and get involved with a movement. We’re not that interested in reaching pensioners who sit at home and watch TV, for example. What we have found is that our audience has shifted over the years, and while we have some hardcore fans, we also have fans that outgrow our content and new fans who are excited to engage with radical ideas.  I think it’s a bit dangerous to try to appeal to a certain group based on metrics in order to get more viewers, because you run the danger of bending or softening your discourse in the name of getting more people, instead of staying true to your “raison d’etre” – ours being to disseminate anarchist and anti-authoritarian ideas and to aid social movements.

Do you have any particular skills or advice to pass on to others starting their own radical media organisations?

Mainly to be consistent, to be true to your ideals, to honor your audience and not short change them, to the make the best fuckin media you can with the resources available to you.

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Follow @subMedia and @stimulator on twitter, and on Facebook: subMedia/Stimulator, and find all their film and video for free at subMedia.tv.

Elizabeth Mizon is a writer, filmmaker and organiser based in Bristol, UK, and recently finished her first feature documentary The Fourth Estate. Follow her @elizabethethird.

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Be the food you wish to see in the world.

I’ve never spoken about this publicly before.

After a month of feeling ambivalent towards my health, my work, and whether or not it would actually be preferable for the crash of civilisation to just hurry up and happen so whoever was left could start again, I read something that made me feel a bit better. I wrote the writer a letter because maybe someone else’s writing could make her feel sane, too.

PS: while we’re on food, we really need to sort out the food and agricultural industries. Have you seen them?! They’re completely fucked. If anyone works out how, please email me. No wonder I find it so hard to eat properly, when they make it so difficult. – Ed.

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Caroline –

I just read your article on Adios Barbie. You might have just saved me from a long road back, or at least helped nudge my tunnel vision off track.

I have had various, and almost constant, eating disorders since I was twelve, and they came to a head about three years ago. At that point, I sought therapy and at the same time went to the library to read up – I found a book called ‘When Women Stop Hating Their Bodies‘, which was a mouthful to keep repeating to my Mum when I frequently enthused about it, and which outlined the ideas of both emotional and intuitive eating (which I’d never heard of before.) It helped me to dedicate myself to the beautifully messy art of eating whatever I needed and whenever I wanted, and I even became a sometimes happy and joyful person in the process (which you should be impressed by, because I’m a neurotic, middle-class anxious person by nature, down to having glasses very similar to Woody Allen’s [I was prescribed those, they aren’t natural.])

My weight subsequently levelled out by itself, a few times – in the latest of these level-ings last month, I didn’t even notice. I’ve just fallen quickly into a new relationship with a man I might well love forever, and to discuss all the fear that comes with being happy because someone else temporarily exists, I went to see an old friend I needed to catch up with. She quickly noted my recent weight loss (she is one of the few who I told of my eating disorder when it got really bad, and is often attentive to changes in my appearance [not always helpful – though, of course, well-intentioned]) and almost immediately I was thrown into a hyper-vigilant state of weighing myself ‘just to check’ and ‘out of curiosity’, privately adamant I would not put anything back on because ‘this is how much I weigh now’, accompanied by the physical sensation of sugar coursing through my veins any time I ate anything wheat-based.

The most perverse part of this turn in the last few weeks has been the genuine belief that eating small amounts of very healthy food (the bare minimum I need to stop my heart from palpitating and my mood spiralling, of course) will protect me from freaking out about putting on weight, and having to fully restrict.

I’m dieting to ‘protect’ myself from having to diet.

One half of my brain watches all this pain unravel from the luxury box seats in my psyche, knowing it’s all bullshit, feeling superior, facilitating it all the while; the other really desperately wants to feel ok again, and doesn’t understand why that feeling suddenly left me, and craves sugar, and uses my eyes to stare at the mirror while using my hands to hide remaining body fat to see what I could look like if I ate and exercised ‘properly’, and knows I’m not emotionally exhausted I’m just lazy, and craves sugar, and so bakes loads but then can’t bring itself to allow any eating of the cake. God I crave sugar. Maybe I WILL have a cake or five. And maybe then, in desperation, get rid of the four of them my stomach hasn’t digested yet.

Then I read your article, and remembered some things I’d forgotten.

I’ve just completed my first feature film (zero-budget, quite an achievement), I’m the healthiest I’ve ever been physically and mentally, I’ve just fallen in love, and I’m doing some really important work right now both personally and professionally. All of this potential for massive failure (sorry, I mean, really good things happening to me THAT ARE COMPLETELY OUT OF MY CONTROL, *breathes*) is terrifying, and each day it’s uncertain whether my confidence is going to drive me at speed to exactly where I need to go, or crash around my face in that far-too-real and embarrassingly visible way it does.

I love the Cherokee tale of the two wolves, the lesson being ‘the one that wins will be the one you feed.’ Guess I’m going to have to feed myself if I want to win.

(That sentence looks as though it’s written with resignation. I feel it needs an addendum:)

Mmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmm! Victoria sponge cakeEgg and pastaRoast dinner Thank you. Good luck. Elizabeth

Jon Snow Returns From Gaza: Channel 4 News

Jon Snow returns from Gaza and has this to say to all viewers, media makers and citizens.

Feminism: Connection & Progression (aka What’s Next?)

the-futureIn the twenty first century, what, and where, is Feminism? There are close to 4 billion women in the world now, and the personal is ever political; that’s a buttload of politics. Are we still solid, guys? Would addressing you as ‘girls’ instead be patronizing, or more feminist? (I have many more questions, the masses. Please do not flame me yet. [P.S. How many readers constitute a ‘mass’?])

Aren’t we due another wave? There’s only been a few, and feminism’s totally internet-famous now. Today, internet culture has revolutionized life for everyone, not least those engaged in the gender equality movement which is at once exciting, thriving, and relentlessly, miserably co-opted. Just this week, the #nomakeupselfie campaign, for example, while raising money for a good cause, has simultaneously unleashed the ‘bravery’ of women who briefly don’t wear make-up as a defiant act in the name of freedom and peace and charity or something.* (The date is 21st March 2014. #Progress! [Have you looked at any rape statistics recently? Maybe 2014 could be the year we engage with that via hashtag!] )

Where can we possibly go from here? Is the concept of ‘post-feminism’ still a joke? Do I ignore or denounce Bill Maher’s pseudo-liberal sexism? How feminist is spending all day on social media sharing videos about advancing equality, of which none encourage spending vast chunks of my short life on the internet sharing videos?

As a distraction from the nervous determination for answers and clarity, and the accompanied sweating, I shall conduct some research. This shall be a defiant, strident act in the name of my own autonomy, and of using the internet productively. And of imaginary feminine freshness.**

The To-Do List (?)

In The Factuary’s “What Do Feminists Have Left?”, comedian Guy Braunum concurs that women of America (and of the rest of the world, FYI) have come a long way, baby. This video has a lot to tell us about the mainstream approach to feminism. Not only because of the US-centric, humour-imbued, internet-hosted habitus of contemporary feminism, but also because of its specification, categorization, and foregrounding of particular issues over others. And of white media personalities dropping sardonic lines.

(Typed to the accusatory reflection in my computer screen…)

[‘Media Personality’? Please. – Ed.]

Acknowledgment of equal pay, rape culture, reproductive health, micro-aggressions and media representation is right on. It’s good to have a challenge or five, but really? Five fronts on which ‘feminism’ has to continue to fight? Were we to eliminate these struggles tomorrow, would that be gender inequality checked off the list of Worldsuck? Can any one entity express a finite list or end point for feminism? How many more questions do I need to ask before I get to the point?

To boil it down to one question (oppressive kitchen-centric terminology – Ed.): with ‘internet feminism’ clearly alive and kicking, which ‘wave’ are we in now, and is there an end goal (or five) to that wave – how and who is feminism, what or where should it be, and be doing? *Sweats*

PSYCH! I hid, like, 3 whole questions in there! (So… so many…)

Waves (aka The Officially Recognised Stages of Western Feminism)

First-wave feminism tackled (certain) inequalities in law: we know these baby – wave-makers, broadly speaking, as the suffragettes. They achieved representation, statues outside Parliament, and songs in Mary Poppins; all of which they bloody deserved. They were willing to trade eating, breathing and not being trampled to death for the sake of being recognised as actual human beings with totally normal brains, capable of putting a cross in a box because of some reasons. It was easy to define an end point at which they’d succeed, because what they wanted to change was already written down, listed and numbered: the First-wave feminism to-do list already existed in the laws of Parliament; Pankhurst, Davidson et al would just put their thing down, flip it and reverse it. But this extended, at first at least, only to women over thirty and of a certain economic status. #successfail

Second-wave feminism, in which women rejected de facto inequalities that remained, spanned the 60s and 70s. Between first- and second-wave, everyone was too distracted by some pretty serious international breakdowns in relations to pay attention to the intra-relations of the nation (save for Vera Lynn, who released her much-ignored feminist reggae album Intra-Relations of the Nation in 1943.) The grudge held after women got some legally-mandated equality lasted ages, until… like, right now. Simone de Beauvoir, Dorothy Pitman Hughes, Gloria Steinem, Betty Friedan & later bell hooks, amongst others, were the anti-Smurfette Principled Justice League of battling non-legal structural issues, such as unequal family and workplace frameworks, designated and prescribed sexual behaviours, and ensuring women’s reproductive freedom. All they wanted was a holistic recognition of woman’s human being-ness in attitude and belief rather than just mandated lip-service. But society (some ladies included) was all like “…Ew.” #onelovefail

Third-wave feminism (c.1992-?)… is harder to define. One, because it’s not necessarily ‘over’, and therefore lacks a hermetic historiographical place from which to examine it; and two, because its basis is in opening the understanding of feminism to its own far-more-diverse-than-allowed-to-be-acknowledged history and culture, and the nature of gender itself. But is this broadening of discourse and increasing intersectionality succeeding on the ground? And what constitutes success?

The myriad voices and definitions that have created, and continue to form, third-wave, are a testament to its recognition that previously the experience of women of relatively affluent white culture was made paramount, and the infrastructure of binary gender identity had been taken as-seen, ignoring and excluding the continuing struggles of women of colour, transgendered people and those of the working- and under-classes. #seeingpastowneyelidsfail

 Fighting and factioning

Prejudice from within and without feminism persists (often irretrievably embedded in the unconscious); the disparity between those foregrounded and those marginalized rages on in feminism as it does in society. ‘Feminism’ is not necessarily a monolith of progressive energy that women are either in or out of, for or against (and depending on your utopia, if you have one, may or may not need to be); feminism is its own Venn diagram within society’s. We disagree on as much as we agree on – our definition of what makes women’s lives better will never be able to be singular once we specify outside of simply: ‘respect’.

The womanist movement, beginning in the 1960s, throws into relief the long-standing failures of mainstream feminism to fully represent the needs and rights of all women, in a context not simply of gender but of class- and race-based oppression. Womanism is an umbrella under which ‘feminism’ is simply one element, alongside spirituality, and restructuring all relationship dynamics; a clear demonstration of intersectionality and social activism. Womanists delineated this expansion of understanding decades before any activists or bloggers would band together in its name under the label of feminism.

While social movements such as these can be understood as linear processes, insomuch as they exist within linear experience of time, ‘feminism’ is not necessarily a series of ever-successful stages with beginnings and ends. There have been recognized waves of activity, but these constructions aren’t exhaustive and completely omit particular people, struggles and groups. To this day, we still fight for what the suffragettes originally fought for: a recognition of all people as intrinsically equal beings, rejection of oppressive hierarchy and confines, and ensuring our ability to collectively remove the godawful from power. And at no point did those fighting for gender equality stop for decades at a time for rest, or victory laps around Donald Trump and all his acquisitions.

Cyberspace

Are we succeeding at our new, supposedly diverse and inclusive feminisms en masse? Generally, female-centered culture is still viciously twisted and shoved through the funnel of mainstream culture, which has willfully ignored undercurrents of progression in favour of trivializing debate and flogging globally-waning self-worth.

But, the internet! YES! And, unfortunately, sometimes, still no.

The internet is a two-sided, defaced coin in feminism’s utility belt. It’s afforded women huge gains in their ability to communicate, connect and organize. It has provided everyone with self-publishing and distribution platforms, broadcasting previously ignored and suppressed voices and experiences. It is the Room of Everyone’s Own. And thus, the room is also used by the defensive, the ignorant and the sexist; the asshats of the world still have dented egos when logged on and they’re looking to use them. They are packing Angry. It’s the same perilous tundra as the real world, with equally ambiguous intimacy.

ORGANISE

Feminism, womanism, gender equality et al cannot but be foregrounded in, and driven by, intersectionality. It won’t work unless it acknowledges and understands the personal, political and partitioned world that we inherit, and undermines the oppressive structures of individualism, economics and education (cultural as well as academic). Otherwise, we’re gonna have to Van Gogh it. Once dissected and posthumously appreciated, we can move on with the best bits. All collective, anti-oppressive movements by definition need to transcend ego, and require hard graft, structurally and personally. And pithy names, like Intersectionalists Against Kyriarchy or All of Us Hating Ignorance & Violence Together Forever. (HighFiveFreezeFrame!)

Having the cyber-tools to share and debate productively at the touch of a button relies on us actively and consciously doing so. Mainstream culture funnels us to certain places; it operates smoothly on decades of carefully formatted infrastructure and the (morally bankrupt) economic freedom to do so. Solidarity is paramount. Anti-feminist haters, while painful, can be easily debunked, but feminists fighting over feminism is some shit, and particularly tiresome shit to wade through. Fair in-criticism must be embraced and accepted, however difficult; and there’s a fine line between criticism and fighting. I don’t remember the last time someone was called out (calmly) and they just acknowledged it and apologized. Heaven forbid we might learn something from one another.

Can we balance consumption with production? Slacktivism with activism? Challenging with acceptance? All extended hands and discussion, incorporating each others’ needs. (Extend a hand to an MRA sometime, you might surprise him.)

This is how we avoid being defeated by violence, and having to resort to violence ourselves.

* I have no beef with anyone who participated in the #nomakeupselfie campaign. Some of my best friends are people who participated in the #nomakeupselfie campaign. I jest to make a point about perspectives and trends in mainstream culture.

**(On your behalf, Dove approves this message, the whole article, and all of Feminism.)

Connect with:

Feministing – a feminist blog with a diverse staff who write on intersectional feminism, and provide us with the busy-life-friendly Daily Feminist Cheat Sheet.

@feministing/feministing.com

 

KrissyChula – the funniest woman on YouTube.

@krissychula/www.youtube.com/user/krissychula

 

Hartbeat – the other funniest woman on YouTube.

@HARTgotBEATs/www.youtube.com/user/hartbeat

 

LaciGreen – the sexiest and most positive sex-positive person I’ve ever had the pleasure of sensing.

@gogreen18/www.youtube.com/user/lacigreen

 

Paris Lees – journalist, presenter & trans activist and all round sweet and considerate person (it seems like.)

@ParisLees/lastofthecleanbohemians.wordpress.com

 

Writers of Colour – tireless online organisation promoting work by people of colour; very active on Twitter.

@WritersofColour/mediadiversified.org

 

Jay Smooth – video blogger & Hip-Hop radio guru who vlogs on politics, race & culture.

@illdoc/illdoctrine.com

 

New Statesman – British mainstream leftist magazine. Politics, pop culture & several feminist columnists & editors.

@NewStatesman/newstatesman.com

 

Jackson Katz – educator in gender, specifically the construction of masculinity. The first man in the US to have taken Women’s Studies. Check out his amazing TED talk.

@jacksontkatz/jacksonkatz.com

 

ADDENDUM: On posting this article online, one reader pointed out that while she agreed with a lot of the points, the article still read as ‘white-washed’, containing little alternative history to that which I was critiquing. She suggested this reading; ‘Whose Feminism, Whose History?’ by Sherna Berger Gluck, Maylei Blackwell, Sharon Cotrel & Karen S. Harper (which you can read here: https://docs.google.com/file/d/0B_HfOnXTgYJoWENoTnpITlM1Ymc/edit?pli=1)

It provides an engaging, complex and well-woven history of some of the womens movements in LA over a number of decades. My article scratches the surface of the problem of mainstream history, whereas this provides a deeper account of many women’s marginalised, intersectional struggles.